Iron Lady
Posted: Mon Jan 16, 2012 2:33 pm
Iron Lady is an attack on feminism and Margaret Thatcher, and an awful movie. It's been marketed as a biopic, though Thatcher is still alive, but it isn't. Most of the film shows Thatcher in her dotage, moping about her house, with a daughter and assistants trying to keep her going despite dementia. This depressing subject takes up perhaps 2/3 of screen time. The rest is flashbacks to her youth as the admiring daughter of a grocer, and her time as Prime Minister, with least attention paid to her years as PM.
The film very deliberately rebukes her feminism. She was the first woman to scale the heights of British politics, and much is made of her determination to "do something," to lead a life of significance. But the point is not her eventual triumph, rather it is the hollow unreality of that triumph, as this film would have it. Her dementia takes the odd form of hallucinations of her late husband, with whom she converses throughout. She obviously loved her husband, but when he was alive she placed her public duties first. Now that he's dead and her career over, she thinks of little other than her husband and children. In a powerful flashback to her husband's marriage proposal, she says she doesn't want to die cleaning up a tea cup. The film's last scene is of her alone, cleaning up a tea cup. The film's main point is that Thatcher, and presumably all women, is a wife and mother first, and that a woman's career, no matter how brilliant, is only a distraction. I don't call this feminism. Critics have made much of the fact that the director and writer are women, and that the film shows Thatcher's victory over sexism. But it doesn't celebrate, or even enjoy, that victory. It is a long lament over a life misspent and a successful person brought low. It is a tragedy. I don't know the inward truth of Margaret Thatcher's life, but in the world, she most definitely "did something" and led a life of significance.
Her politics remain controversial to this day. The controversies are lightly and briefly touched, but the film takes no sides, and rather distrusts the strength of Thatcher's convictions, which are frequently contrasted to the craven political calculations of her advisers. I noticed how timely were Thatcher's controversies, as alive today as then, both in Britain and the US. I believe Thatcher was right. But this is perversely not a political film, despite having a politician as its subject.
(Old) Thatcher is played by Meryl Streep, her (old) husband by Jim Broadbent. Both are brilliant, great performers at the top of their game. Watching them at work is the only reason to see this film.
The film very deliberately rebukes her feminism. She was the first woman to scale the heights of British politics, and much is made of her determination to "do something," to lead a life of significance. But the point is not her eventual triumph, rather it is the hollow unreality of that triumph, as this film would have it. Her dementia takes the odd form of hallucinations of her late husband, with whom she converses throughout. She obviously loved her husband, but when he was alive she placed her public duties first. Now that he's dead and her career over, she thinks of little other than her husband and children. In a powerful flashback to her husband's marriage proposal, she says she doesn't want to die cleaning up a tea cup. The film's last scene is of her alone, cleaning up a tea cup. The film's main point is that Thatcher, and presumably all women, is a wife and mother first, and that a woman's career, no matter how brilliant, is only a distraction. I don't call this feminism. Critics have made much of the fact that the director and writer are women, and that the film shows Thatcher's victory over sexism. But it doesn't celebrate, or even enjoy, that victory. It is a long lament over a life misspent and a successful person brought low. It is a tragedy. I don't know the inward truth of Margaret Thatcher's life, but in the world, she most definitely "did something" and led a life of significance.
Her politics remain controversial to this day. The controversies are lightly and briefly touched, but the film takes no sides, and rather distrusts the strength of Thatcher's convictions, which are frequently contrasted to the craven political calculations of her advisers. I noticed how timely were Thatcher's controversies, as alive today as then, both in Britain and the US. I believe Thatcher was right. But this is perversely not a political film, despite having a politician as its subject.
(Old) Thatcher is played by Meryl Streep, her (old) husband by Jim Broadbent. Both are brilliant, great performers at the top of their game. Watching them at work is the only reason to see this film.