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Re: Gay History in Human History

Posted: Thu Nov 18, 2021 5:48 pm
by Valery_V (imported)
Adam Lambert

is an American singer and songwriter. Since 2009, he has sold over 3 million albums and 5 million singles worldwide.

Lambert is openly gay. Lambert stated in a 2016 interview that he was "fully addicted to tattoos". He got his first tattoo, an Eye of Horus on his wrist just before he started on American Idol and has since covered his arms and torso with many more.

In late 2019, Lambert founded the non-profit Feel Something Foundation, anchoring his ongoing philanthropy, LGBTQ+ and human rights activism. Its particular focus is support for organizations and projects that directly and disproportionately impact the LGBTQ+ community, including education and the arts, mental health, suicide prevention and homelessness.

Alongside his solo career, Lambert has collaborated with rock band Queen as lead vocalist for Queen + Adam Lambert since 2011, including several worldwide tours from 2014 to 2020. Their first album, Live Around the World, released in October 2020, and debuted at number one on the UK Albums Chart.

***

https://en.wikipedia.org/wiki/Adam_Lambert

https://www.instagram.com/adamlambert/?hl=ru

Performing "Believe" by Cher - 41st Annual Kennedy Center

https://www.youtube.com/watch?v=5PzQHZLiUPs

Re: Gay History in Human History

Posted: Fri Nov 19, 2021 7:44 am
by Valery_V (imported)
Valery_V (imported) wrote: Thu Nov 18, 2021 5:48 pm Alongside his solo career, Lambert has collaborated with rock band Queen as lead vocalist for Queen + Adam Lambert since 2011, including several worldwide tours from 2014 to 2020. Their first album, Live Around the World, released in October 2020, and debuted at number one on the UK Albums Chart.

[/url]

Adam Lambert Sings Queen Bohemian Rhapsody In First Audition On American Idol
Valery_V (imported) wrote: Thu Nov 18, 2021 5:48 pm https://www.youtube.com/watch?v=
plYAc5pT-PY

(This is how he started)

A little while later:

Adam Lambert - I Want to Break Free
Valery_V (imported) wrote: Thu Nov 18, 2021 5:48 pm https://www.youtube.com/watch?v=
Vwz9CBl77T0

For comparison:

Queen - I Want To Break Free
Valery_V (imported) wrote: Thu Nov 18, 2021 5:48 pm https://www.youtube.com/watch?v=
Z3w5gVM_4y8

Re: Gay History in Human History

Posted: Tue Nov 23, 2021 6:35 am
by Valery_V (imported)
I Thought I Could Serve as an Openly Gay Man in the Army. Then Came the Death Threats.

https://www.nytimes.com/2019/04/10/maga ... -army.html

By Necko L. Fanning

April 10, 2019

The sergeant and I stared at each other for a moment as the office door shut. I’m certain the expression on my face mirrored the pale, shaken one I saw on his.

Only seconds earlier, we both stood silent, hands clasped behind our backs respectfully, as a noncommissioned officer stood inches from my face and threatened to end my career.

As we left the office, the sergeant searched for something consolatory to say. His words, and any comfort I might have taken from them, fell flat. I sat, staring at my computer screen, trying to recall what task I had been working on.

A few hours later, Lt. Meghan Kalliavas would stop by and explain: The noncommissioned officer was the head of the unit’s Sexual Harassment/Assault Response and Prevention program.

The evening before, there had been a report of a male-on-male sexual assault in our unit. In response, and apparently to demonstrate his competency in his assigned position, the noncommissioned officer had taken it upon himself to approach the person he considered inclined toward committing a similar offense in the future: me, the only openly gay soldier in my unit.

I was fortunate that Kalliavas, the officer in charge of the intelligence department where I worked, was a woman with no tolerance for prejudice.

Together we approached our unit’s leadership, where she insisted that the comments had stemmed from the representative’s own homophobic feelings and recommended that he be reprimanded and removed from his position as the unit’s sexual harassment watchdog. We never learned whether any action was ever taken against him.

This wasn’t the first time at the Second Battalion, 87th Infantry that I was targeted because of my sexuality, and a part of me marveled that it could still make my hands shake and stomach clench.

I told myself that I should have built a thicker skin at this point; that in comparison to the life-or-death hardships of military life, these moments meant nothing.

But by then it was hard to ignore the anxiety I felt during required social activities — “mandatory fun,” as it’s called in the military — or the tension from my fellow soldiers.

The moment I decided to become a soldier and the moment I chose to live openly as a gay man occurred so closely in time that it’s hard to remember which came first.

In early 2011, I was 19 and visiting my uncle, Senior Chief Petty Officer Brandon Parry, and his family on a naval base in Naples, Italy. It was with his guidance that I enlisted as an intelligence analyst in the United States Army and with his encouragement that I came out, first to him and then to the rest of my family and friends.

Before the end of May 2011, just before I left for basic combat training, my uncle sent me to Chicago to meet his two best friends and fellow sailors, Mike Landry and Abraham Elizondo.

It was still four months before the repeal of “don’t ask, don’t tell,” a double-edged policy prohibiting asking any service member about his or her sexuality while enforcing a ban on openly gay service members. Mike and Abe were to mentor me on how to survive as a gay serviceman. Their lessons advocated a combination of caution and performance.

They lived together, along with Mike’s partner, Larry Hall, in a condominium just off the Wilson stop on the Red Line. Each had something to say about my upcoming service, each offering a different pot of paint to camouflage me into the background of my fellow soldiers.

Abe — who had been a senior paralegal during his 20-year service — approached everything with a simple philosophy: Prove it. As long as gay soldiers kept their mouths shut, the burden of proof fell on those making the accusations.

Mike, a former chief warrant officer turned military housing director, alternated between agreeing with Abe and interjecting stories about his experiences: “Yep, and he only called me a faggot once.

One time, and I gave that little shit the boots.

That’s what you’ve got to do. You can’t let anyone call you a fag. Because it’ll just get worse.” Even Larry, a skateboarding tech guru, chimed in, reminding me that the repeal of “don’t ask, don’t tell” wasn’t far-off.

For the next eight months, I all but ignored their advice. During basic training at Fort Jackson in South Carolina, I confessed to my bunkmate Aaron Frick — a tall white Coloradan who converted to Hinduism sometime before enlisting — that the picture of the guy in my locker wasn’t of a friend.

Frick wasn’t terribly surprised by this news.

He would go on to be my roommate and best friend during our next stage of training. On Sept. 20, 2011, “don’t ask, don’t tell” was repealed, and I immediately stopped concealing my sexuality.

I openly used the word “boyfriend” when describing my partner, never worrying that any of my superiors or classmates cared.

I was surrounded by driven women and men focused on their careers and on forging close relationships with their peers. I wondered at how things could have changed so drastically from the time Mike and Abe had served.

The second week after I arrived at Fort Drum, N.Y. — my first and only duty station with the Army — I found death threats slipped under the door of my barracks room. I noticed the colors first. Pink, blue and yellow; strangely happy colors at odds with the words written on them.

Some were simple: slurs and epithets written in thick black Sharpie, pressed so hard into the paper that it bled through.

“Faggot” and “queer fag,” the notes read. A couple were more elaborate: detailed descriptions of what might happen to me if I was caught alone, and proclamations about the wrongness of gays in the military.

I read the most detailed descriptions over again, trying to explain them away as something other than what they were. Maybe they were a joke, or meant for someone else. I reached for my phone and then stopped.

If I reported these and they were only a joke, then I would become “that guy.” Taking ridicule — smiling at the most vile and offensive slights with the understanding that they were nothing more than jokes — is the most important social capital in the military.

Was I willing to risk losing that capital before I had the chance to earn it? I tore the bright sticky notes into confetti and tossed them into the trash.

The military is built on a foundation of earning trust and proving yourself to your peers and superiors as capable. Being new to a unit isn’t unlike being a new employee at any other job. People are cautious, even wary, until you’ve shown you can handle the work.

Perhaps it didn’t help that I was an intelligence analyst in an infantryman’s world — a support soldier in a combat soldier’s unit.

But none of that had been mentioned in the notes.

My capability wasn’t in question, nor was my duty position. It wasn’t my effectiveness or value to the unit that elicited these noxious notes but something far removed from my control. Something that after September 2011 was supposed to be meaningless.

After a few months at Fort Drum, I discovered a group that convened for secret support meetings. No two people were similar — a woman who had been in the service nearly as long as I had been alive, a married father, an infantry soldier a rank below me.

Each person identified as something other than heterosexual, but only privately. In their everyday lives, they pretended to be straight.

We met in different places — in barracks rooms and offices after hours — but always in secret. Sometimes it was to console or commiserate. Other times I think it was to simply know that we weren’t alone.

During these meetings I always talked about my anxiety over not knowing who had written those sticky notes and if they were standing next to me in formation or would be the person I sat beside, alone, on my next 24-hour shift.

The others revealed truths I considered much darker than my own: The woman spoke about the sexual assault she never reported during the time of “don’t ask, don’t tell” for fear that an investigation would unveil that she was a lesbian; the husband spoke about feeling trapped but fearing that revealing himself would cost him everything; and the infantryman confessed that he drank himself to sleep because he could never claim what he was aloud.

At least I hadn’t had to endure any of their horrors, I would think. Remembering this was sometimes helpful — as if I were seeing things with greater perspective, finding the silver lining. Other times it made me nearly sick with shame to compare my fears with theirs. But I never stopped going.

I left the Army in December 2014, but I still feel as if I am coming to terms with my identity. There are moments when it feels wrong to claim my status as a veteran; as if being gay made me less of a soldier and somehow invalidated my service.

These moments of vulnerability bring me back to when one of my superiors told me not to bring a date to the military ball; to when I found “Fag” spelled out in the snow on my windshield with urine; to all the times I avoided those who showed me compassion, for fear that it was a trick and that they had been the one to slip the notes beneath my door.

Every memory evokes an emotion: rage that I had to serve with a constant sense of fear of my fellow soldiers; paralyzing sadness for those who endured abuses worse than I can know; and, the worst, guilt over the service members — gay or straight or transgender — who died while serving in the military while my body is still whole.

I don’t know if these feelings will ever go away. But it is when the guilt is most crippling that I remember my support group.

That chance to share an unseen pain and know there were others like me struggling each day still helps me wake up each morning, pull on my boots and go about my day.

Re: Gay History in Human History

Posted: Mon Nov 29, 2021 10:36 am
by Valery_V (imported)
Is it true that most male ballet dancers are homosexual?

https://www.quora.com/Is-it-true-that-m ... homosexual

Eric Harris, Lifelong dancer

I am a male ballet dancer so I actually know the answer to this question. The ballet community is very small and we all pretty much know each other by reputation or we know one another personally. I have studied in schools and danced in companies all over the United States. Although I myself am gay, I have always been in the minority in that regard amongst my dancing male peers. At one point in my career, out of 12 men in the company, only 2 of us were gay. Most of my male ballet colleagues have gone on to marry women (usually also dancers) and start families.

as stated by other people in their answers, it’s a matter of percentage. I have no doubt the percentage of gay football players or gay firefighters is not far off from that of gay ballet dancers. The only difference is that gay dancers have nothing to hide and tend to come out of the closet to their coworkers and even the community at large, whereas athletes have a lot to lose if they were to come out in our biased culture.

Griffin Na, From commercial to contemporary and classical companies

Most? No. I wouldnt even say half and half. However it is easier to find 'out' male dancers.

There are various theories for this. One contributing theory being that the dance community is less concerned with what you do with your genitals in private but more concerned with what you can do as a colleague. Hence those male dancers who are homosexual find it more damaging to live a lie than just simply be who they are and get on with it because nobody really cares.

Another reason often given is that the creative arts attract homosexuals. Which implies that heterosexuals arent generally good at being creative.

The implication in the question is also that homosexuals and/or male dancers are less than masculine. One commonly held mistaken belief compounding the other. Whilst there are some clichés that exist for good reason I find this one more 'common belief' than verifiable. If we assess masculinity as being strength, discipline, control and a propensity for gruffness (reasons to admire professional sportsmen) we find that most dancers, especially classical, out perform those same professional sportsmen. As for the cliché that homosexual men are lacking in masculinity I put forward my own anecdotal experience of gay men - The visible, 'out of the closet' gay community is vastly dwarfed by the rest of the homosexual and bisexual population who are builders, fitness coaches, lawyers, bankers, accountants, et cetera... and sometimes dancers.

So, no most male ballet dancers are not homosexual.

David Kern, San Francisco Ballet, Ballet Frankfurt

I’ve been dancing in ballet companies etc. since 1976 and I would estimate 50% is not that far off. In the past, maybe the percentage of gay men was higher than it is now, but about the time I started dancing, Barishnikov and a few others helped inspire more straight boys to try ballet, at least in the United States. For sure though, the percentage of gay men in ballet is higher than in the general population.

Gareth Jefferson

Some dance professionals like to pretend that few, if any, male dancers are gay, but Bailey did a survey of professional dancers and found that roughly half the men were gay. His survey did not include Russian dancers. My guess is that the percentage would be lower there for cultural and sociological reasons; Russia's notoriously homophobic attitudes probably being part of the equation.

David McAllister, artistic director of the Australian Ballet

is quoted as saying that half the company’s [male] dancers are heterosexual, although he admitted that the company ”went through a period of setting up fireworks” to show off a heterosexual male dancer [when they were able to], but that policy has now been dropped.

Of course it's no one else's business if any particular dancer is gay, heterosexual or asexual. Of sociological interest only, and of no relevance to the art, is why so few gay dancers are "out".

Jaanis Kruumins, lived in Tokyo

I doubt there is a research on that, but out of my experience, and I know quite a few male ballet dancers, this is not true, but there is one but.

The but is that, indeed, there seem to be more gay men among ballet dancers than among the general population. I do not know how many, certainly not most and not even half, but a sizeable portion are. It is probably a disappointing fact to the female ballet dancers, who tend to have hard time finding a partner due to their busy schedules.

Also, some male ballet dancers tend to look in the way which people commonly associate with homosexual males. Do not be fooled by that, normally you cannot tell apart a homosexual male by the looks alone. Ok, you can, but it is more in the behaviour than in the general appearance and it is a hit and miss.

Madelynn Colburn, studied Dance at Florida Southern College

Not all male dancers are gay but the majority of them are. It just depends but don’t assume just because they love ballet that they love the same sex.

Re: Gay History in Human History

Posted: Wed Dec 01, 2021 10:34 am
by Valery_V (imported)
How did the Nazis in World War II find homosexuals?

https://www.quora.com/How-did-the-Nazis ... omosexuals

Homosexual activity between men had been illegal throughout Germany since the passing of the Criminal Code of 1872. Before that it had been illegal in most of the German states.

The Nazis régime 'found' homosexuals mainly as a result of denunciations to the police and gossip. Many denunciations led to investigations into the accused's 'partners'. The Nazis, steeped in a traditional military ethos, despised homosexuality and had something of a preoccupation with sexual crime and punished it severely.

After about 1934-5 people accused of homosexual acts (and other sexual offences) were often not given an actual trial, but just a short ' interview' with the Gestapo, especially if they had a previous conviction for a sexual crime. At the end of the interview they were nearly always sent straight to a concentration camp. It was only inside the camps that they had to wear those pink triangles. (In other words, unlike the Star of David for Jews, it wasn’t worn in public places).

Why did Hitler hate gays?

https://www.quora.com/Why-did-Hitler-hate-gays

He did not hate gays. He was a hypocrite. His "hatred" was just pretense. He pretended after the Night of Long Fangs he was shocked by Röhm being gay, yet he had known about it all the years he collaborated with Röhm and was good friend with him. It was by the way not even a secret since Röhm, being anything but a coward, did not try to hide it.

It is unclear what Hitler thought about homosexuality personally. His own sexuality, or lack thereof has been subject to endless speculation.

What is known for sure is that his close confidant and collaborator, Ernst Roehm, was an exuberant and unapologetic homosexual, who surrounded himself with a coterie of like minded men. As Roehm was also head of the SA, the so called “Brown shirts", and the Nazi party's original goon enforcers, much of the top ranks of this organization were occupied by homosexual men as well.

Once Hitler achieved legitimate governmental power Roehm and the SA became something of a political liability. Plus, it appears Hitler no longer trusted Roehm. Meanwhile his new radical bodyguard, the SS, led by Heinrich Himmler saw the SA as a dangerous rival, and probably some aspect of this animus had to do with Roehm’s and his associates’ obvious and unrestrained sexual orientation.

This led to the “night of the long knives" when the SS murdered Roehm and the rest of the SA high command. Hitler certainly approved the action. What role Roehm's homosexuality directly played in it is unclear. However, if some Germans harboured questions about Hitler's own sexual orientation, Roehm's killing and the Nazis’ active persecution of homosexuals, probably helped allay concerns that the bachelor Hitler was gay himself. Not that it actually proved anything one way or the other.

Re: Gay History in Human History

Posted: Sat Dec 11, 2021 8:49 pm
by Valery_V (imported)
Ballet dancer forced out for making gay porn videos

https://www.gramilano.com/2013/07/balle ... rn-videos/

A ballet dancer with the Royal Winnipeg Ballet School is claiming that he has been unfairly dismissed because he acts in pornographic videos.

22-year-old Jeppe Hansen from Denmark, joined the Royal Winnipeg Ballet School in September 2012.

In an interview with CBC News he said:

"My identity is built on being a ballet dancer, for me to come there was a big opportunity."

However, under the name of Jett Black, he started filming his first gay videos earlier this year, (“to express myself in a new way”), and the school directors subsequently asked him to sign a letter that he was voluntarily withdrawing from the school.

Hansen said he hadn’t wanted to leave RWB:

"You cannot be in a company or with the school or whatever because you’ve decided to take a different standpoint artistically — not because you physically can’t do it, or because you’re not good enough.

Being told because you’re doing something else that’s interrupting with what we think you can do is really difficult because they know it’s your passion, they know that that’s what you live off. They know my entire identity’s built on it. So it was really difficult to be told that and to be told, ‘You know what? There’s no space for you here."

Hansen said that he had already been asked to consider entering the adult film business when he lived in Montreal, but he had refused. However, earlier this year he changed his mind,

It was more important for me to be me and to do the things I wanted to do for once, and not what everyone else wanted. Being a ballet dancer is restrictive. Everyone tells you what you have to do, how to look, what to weigh, how to perform [and] be the artist you are.

To me no one can tell me what art is. Art is what you and I define art by.

As American pornographer Larry Flynt’s lawyer, Louis Sirkin, remarked in the 70s:

One man’s obscenity is another man’s art.

Re: Gay History in Human History

Posted: Tue Dec 28, 2021 8:41 pm
by Valery_V (imported)
20 fabulous facts about Ken dolls

https://www.dailydot.com/irl/ken-doll-barbie/

1) Ken’s last name is Carson

The Ken doll was first introduced in 1961 and was named after the son of Ruth and Elliot Handler, the inventors of the Barbie doll (incestuously enough, Barbie was also named after the couple’s daughter :eyes emoji:). According to fansite Keeping Ken, Barbie’s full name is Barbara Millicent Roberts. Ken, however, was never given a middle name.

2) The real Ken never had a real job

Ken Handler ended up marrying a woman named Suzie. The couple lived in Manhattan together with their three kids, where Ken wrote music and plays for fun. He died at the age of 50 in 1994 on the afternoon of his daughter’s wedding.

7) Earring Magic Ken is the most profitable Mattel doll in history—but only because he became an unlikely gay icon

11) Several men have tried, to varying degrees of success, to become “real-life Ken dolls”

16) The Mattel designer behind the Ken doll also designed Barbie, Chatty Cathy, and Hot Wheels

While Ruth and Elliot Handler might have named Ken after their son, Jack Ryan, Mattel’s chief designer and self-described “third-in-charge” through the ‘50s and ‘60s, is credited with designing the Ken doll other famous Mattel toys. Ryan, an engineer who began his career developing missiles for the Pentagon, developed these Mattel toys and built a “sordid” life filled with parties and orgies out of the hundreds of thousands of dollars he earned as a result.

17) The real Ken Handler may have died from complications resulting from AIDS.

Handler’s mother Ruth put aside her shock help her son seek “natural” AIDS treatment, but the syndrome was far too developed to be treatable, according to Ken’s primary doctor, Dr. Pamela Harris.

Oppenheimer also wrote that the real-life Ken Handler grew up “embarrassed and humiliated by having an anatomically incorrect boy doll named after him [with]…no hint of genitalia.”

In her novel Barbie and Ruth, author Robin Gerber repeated these allegations, writing that Handler had once denounced the dolls to his parents in a letter he had written in 1970. Handler argued that the dolls were “cow-towing [sic] to those who can’t accept the issue of their own sexuality.” Gerber wrote that Handler also told Harris, the doctor, that believed he had contracted the disease from another man.

18) Ken’s incorrect male anatomy was a non-decision made by the toy’s male designers

According to Gerber, Ruth Handler said the design team lacked “the guts” to give Ken even a “suggestion” of a penis, though she argued there should have at least been a bulge to suggest realism. The research and design team, however, made the decision in respect to whether Ken’s “physique” would help or hurt the company.

“They decided it was better for Mattel if he was neutered, and that was the end of it,” Marvin Barab, Mattel’s manager of packaging and graphics at the time, told Gerber.

Re: Gay History in Human History

Posted: Thu Dec 30, 2021 8:22 am
by Valery_V (imported)
The World’s Foremost All-Male Comic Ballet Company

https://trockadero.org/

Les Ballets Trockadero de Monte Carlo was founded in 1974. Early performances were held on the makeshift stage of the NYC LGBTQ rights organization known as the West Side Discussion Group, an offshoot of the groundbreaking Mattachine Society, one of the first LGBTQ rights groups in the US.

This historic backdrop has always underscored the Trocks’ commitment to providing a stage for dancers often underrepresented in classical ballet due to their sexual orientation, gender identity, size, social class, race and ethnicity.

In the nearly 50 years since its inception, the company has continued its mission of performing polished parodies of classical ballets ‘en pointe’ and ‘en travesti’, surprising and delighting audiences by boldly defying classical ballet’s conventional gender classification.

While being slyly subversive, the Trock’ global visibility has helped move drag from counterculture to its current place in the mainstream.

As ambassadors of LGBTQ culture and acceptance, the Trocks remain committed to supporting, mentoring, and inspiring the next generation of LGBTQ performers and arts appreciators; supporting LGBTQ elderly and mentoring LGBTQ youth; and serving as an integral link to the history and traditions of LGBTQ performance.

The company’s education and engagement programs allow the Company to extend the work it does on stage and engage communities in reimagining their expectations of ballet performance and its intersection with gender roles and identities.

While we recognize that there is still much to be done to achieve full diversity, equity, inclusion and accessibility in the ballet world, within our own company, and in the world at large, we strive to build and deepen this work both on and offstage.

The board, staff, and company of Les Ballets Trockadero proudly stand together with those who embrace a commitment to diversity, equity, inclusivity and accessibility in all its forms.

Re: Gay History in Human History

Posted: Sat Jan 29, 2022 7:29 am
by Valery_V (imported)
Transgender Stories From History

In 2019, the death of a 78-year-old man, Lourival Bezerra de Sá, made the news in Brazil. Despite the fact that the death occurred by natural causes, his body stayed over three months in police custody. The reason given by the authorities for the delay in allowing Lourival to be buried was that his documents, which identified him as a man, did not match the forensic report, which identified him as a woman because of his genitalia.

The media, appallingly, portrayed Lourival as a liar: as a woman who had masqueraded as a man. The pervasive use of Western binary notions of sex and gender by his society, forensic scientists, and the police effectively erased his identity as a transgender man.

Lourival’s postmortem story sadly constitutes yet another example of the erasure of gender diversity in the narratives about past and present times. The ongoing, pervasive belief that humankind is only made up of “men” and “women” contributes to the violence directed at transgender, intersex, and gender-nonconforming people. We urgently need to put an end to this erasure.

In regions of the world influenced by Western worldviews, masculinity and femininity have been directly associated with people’s genitalia and reproductive capacities. This notion purports a strictly binary division of human beings according to physical traits (sex), which in turn results in the attribution of social and cultural roles (gender).

While this division of the world’s inhabitants might seem natural to many, given the dominance of modern Western worldviews, anthropological and biological research shows that neither “gender” nor “sex” can be taken for granted. The idea of apportioning two options of social roles based on the format of people’s bodies cannot be projected onto all other times and cultures. In human bodies and human societies, multiple possibilities coexist in the spectrum of life experiences.

In contemporary societies where these possibilities have been forgotten or forbidden, individuals whose existences transcend sex and gender binaries have become the target of violence. Transgender and gender-nonconforming people count among the most assassinated people worldwide. In Brazil, the country where I live and work as a transgender, nonbinary archaeologist, 124 transgender people were murdered during the year 2019, and 175 in 2020.

The common perception is that something is wrong with us. There seems to be a general understanding that transgender people are a phenomenon of the 21st century, yet another awkward “rebel teenager” fashion trend. The erroneous idea that we, transgender people, “have no past,” feeds the notion held by many cisgender people that we don’t belong in the present.

By Gabby Omoni Hartemann (31 MAR 2021)

Article continued:

https://www.sapiens.org/archaeology/tra ... n-history/

Re: Gay History in Human History

Posted: Mon Feb 07, 2022 8:00 am
by Valery_V (imported)
The first out, non-binary U.S. skater is on the 2022 team

FEB. 4, 2022

Figure skater Timothy LeDuc is the first Winter Olympic athlete to openly identify as non-binary. LeDuc made headlines in 2019 when they were the first openly gay athlete to win a gold medal in the U.S. pairs competition as well. "My hope is that the narrative shifts more to, 'Queer people can be open and successful in sports.' We've always been here, we've always been a part of sports. We just haven't always been able to be open," as LeDuc told.

Figure skating pairs are traditionally centered around male and female dynamics that often tell romantic stories in their program's narrative. "Maybe it will make a path for other non-binary and queer athletes that come into pairs in ice dance," LeDuc said in an interview with Reuters. LeDuc's skating partner, Ashley Cain-Gribble, has had their back from the beginning. "Timothy has always been there for me, they've supported me through every part of my journey in my life. And so I'll always be there to support their journey," she told Reuters.

Cain-Gribble is challenging figure skating gender stereotypes alongside LeDuc. The figure skater has opted for a full body leotard on some occasions, which is unexpected for female figure skaters. "I feel really powerful in a unitard," she said to Reuters. The pair continues to shake up the ice skating world by making their strength and athleticism the center of their routines, rather than their gender identities and presentation.

Read More: https://www.thelist.com/757296/the-trut ... paign=clip