BroBear (imported) wrote: Sat Apr 16, 2011 9:25 am The reason that Technicolor resorations look so good now is partly the ability to clean up and color balanace film that is avalable now.
However the most important factor is that Technicolor was shot with a camera that used 3 monochrome (B&W) negitives to capture Red Green and Blue (RGB). These negitives captured each color at what today we would call a very high bandwith and bit depth. So using the new technology for film transfer there is far more to work with in restoration.
In the old days Technicolor prints were literally printed using colored dyes, which have outlasted many Eastman Kodak film emusions.
BroBear
Thank You for that point, bold fonted above.
Gave you a reputation tag, see your new sun bursts.
It occurs to me that NASA uses a similar system of monochromes to create real color images. All in digital. Correct?
Three systems to capture their part of the optical bandwidth seems better then one. Would more be better? Like five? Or are we victims of our retinal cone's limitations <sigh>
Then we could get into is what you call blue really the same as what I call blue or are we just trained to name our respective blue's , blue.
Opps, wondering off topic here.
Thanks again for the upload about a three monochrome system. Do any modern film makers use such a system even in digital as NASA?
Moi